ISABELLA AND HER LOVE FOR ART AND GARDENS
Last year, we decided to take a trip to the USA, my first trip to the USA.
It was fun, cold, hot, windy, special, interesting, fulfilling and everything I never thought it would be.
We met a lot of crazy –yet lovely– people and learned a lot from them and from their culture and surroundings.
Talking to a group of friends, we started a conversation about landscaping and how gardens have become a passion and a way to relax for a lot of people, including me. One of them listened closely, not everybody is interested in talking about plants with a stranger, but he was and he mentioned this Museum, the Isabella Stewart Gardner Museum; he said it was his favorite and that I should go and take a look.
At first, I was unsure, I don’t know much about art (nothing, to be fair), and I didn’t quite related plants with painting, but I listen carefully and he repeatedly mentioned plants, Italian architecture and other things that sounded good, so I was then interested.
By the end of the conversation, I was like: “ok, it is time for you (me) to learn about art and even if you (me) don’t understand a thing, just GO!!!”… So I listened to myself, and I did.
When I entered to the Museum everything I was expecting wasn’t there, everything I imagined had nothing to do with this building, do not get me wrong, it was beautiful, like a piece of Italian Renaissance in the middle of Boston.
Some lines about Isabella
I’m not going to tell you the whole story about her, let’s say Isabella Stewart Gardner (1840-1924), came from a wealthy family, married John “Jack” Lowell Gardner Jr. another wealthy man. She was intelligent, elegant and eccentric.
They had a rough life with a series of losses, including their child. Isabella became extremely depressed and her doctor advised her to travel. Their elegant adventures began around 1867 when they travel to Northern Europe, Russia, Egypt, the Middle East, and Asia.
Isabella kept elaborate journals of her visits; their love for art, books, and culture grew with every travel and people they met.
My personal impression of the museum: A small Villa with a courtyard, flowers, water, and art; it had a presence, an elegant and peaceful presence. I instantly felt comfortable, like I was visiting somebody’s home, Isabella’s home.
The building has her style, her taste, her soul.
In 1884 Isabella and Jack Gardner first visit the Palazzo Barbaro, a Venetian palace which became Isabella’s source of inspiration for her museum’s design.
The museum is a mix of gothic, romantic, Venetian style; it also has that something, or, everything that Isabella wanted it to be.
A combination of styles, materials, spaces, colors, architectural elements and this is what makes the place unique. On their trips to Italy, they purchased columns, windows, and doorways to adorn every floor of the building, as well as reliefs, balustrades, capitals, and statuary from the Roman, Byzantine, Gothic, and Renaissance periods.
The museum has had different interventions through the years. For the last changes at the Museum, Architect Renzo Piano was hired to design the New Wing, he emphasized the external gardens’ views through glass walls around the new area. He made the new building a piece of art that coexists with the historic building and share with it the same architectural importance.
“Gardens, both interior, and exterior are an integral part of the Gardner Museum experience today. When Isabella built the Museum, she created an experience that was as much about flowers and plants, artfully arranged, as it was about masterpieces of art. The culmination of that vision is the courtyard but botanical images can be found throughout the Museum.”
In this museum, every space was carefully designed and the courtyard was no exception. Isabella was present in every step of the design and construction, she managed to mix different architectural elements and periods and created a beautiful harmonious space, worthy of a true collection, she transformed an exhibition place into a natural, delightful area which made me feel (again) that I was in her home.
The country yard was designed by integrating Roman, Byzantine, Romanesque, Gothic and Renaissance elements like stonework arches, columns, and walls.
Isabella’s passion for gardens inspired this area, the place where nine seasonal garden displays change throughout the year. Most of the plants for the courtyard are grown in the Museum’s temperature-controlled Hingham greenhouses and trucked to the Palace location where they are rotated in to keep the displays in peak condition.
Cool things about the garden displays
- Every seasonal display in the courtyard contains 300 to 500 plants.
- The average time for a plant in the courtyard is around 7 days, after that, they replace it with another identical plant, so they don’t suffer the lack of sunlight in the courtyard. It is a small courtyard with tall walls so direct sunlight is very poor.
- The most traditional display is the long Nasturtium (Tropaeolum majus) hanging from the third-floor balconies as Gardener used to in the early 1900’s.
For those who know it and for those who don’t, this is a small but very rich space and there’s a lot to say about it, in terms of design, art, architecture, lifestyle, details and of course PLANTS!. I decided to separate this post into two parts, so I don’t leave behind the things that matter to me the most and that I want to share with you: Architecture and Garden Design.
Hope you enjoy this post and stay tuned for the next post, I’ll be talking about all the plant displays during the year in the museum’s courtyard.
The link to the Isabella Gardner’s page https://www.gardnermuseum.org/